The defence The Prestige Tourist
“Sincerity is not manipulation.”
The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.
Back to trending 
I'm Here
Romance · Science Fiction · Drama · 2010
A library assistant plods through an ordinary life in LA until a chance meeting opens his eyes to the power of creativity and ultimately, love. When this new life and love begin to fall apart, he discovers he has a lot to give. This short film proves that ordinary is no place to be.
Movie details
I'm Here
2010 Romance · Science Fiction · Drama 32m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
7.2 / 10
Community rating
A library assistant plods through an ordinary life in LA until a chance meeting opens his eyes to the power of creativity and ultimately, love. When this new life and love begin to fall apart, he discovers he has a lot to give. This short film proves that ordinary is no place to be.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over I'm Here?
For the defence
The Prestige Tourist
“You like your greatness pre-approved.”
Read their case For the prosecution
The Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
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Untamed Heart
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Caroline, a young waitress who seems to have bad taste in men, is on her way home one night when thugs attempt to rape her. Adam, the mysterious busboy who works at the same diner, helps fight off the assailants, and she begins a relationship with him -- but not all their fellow Minnesotans are happy for them. Meanwhile, the couple face their own difficulties when Caroline finds about Adam's past, including his unique health condition.
Endless
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When madly in love high school graduates Riley and Chris are separated by a tragic car accident, Riley blames herself for her boyfriend's death while Chris is stranded in limbo. Miraculously, the two find a way to connect. In a love story that transcends life and death, both Riley and Chris are forced to learn the hardest lesson of all: letting go.
The Edge of Love
Drama · 2008
When the Welsh poet Dylan Thomas and his flirtatious wife Caitlin sweep into war-torn London, the last thing they expect is to bump into Dylan's childhood sweetheart Vera. Despite her joy at seeing Dylan after so many years, Vera is swept off her feet by a dashing officer, William Killick, and finds herself torn between the open adoration of her new found beau and the wily charms of the exotic Welshman.
Omni Loop
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Diagnosed with a black hole growing inside her chest and stuck in a loop reliving the last five days of her life, a 55-year-old wife and mother from Miami, Florida decides to solve time travel in order to go back and be the person she always intended to be.
Time Is Up
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Vivien, an accomplished student with a passion for physics, and Roy, a troubled young man, are involved in an accident that forces them to reclaim their lives one minute at the time.
Love Me
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In a story that spans billions of years, a buoy and a satellite meet online long after humanity’s extinction. As they learn what life was like on Earth, they discover themselves and what it means to be alive and in love.
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Names above the title
The people responsible.
Cast & crew
Directed by
Spike Jonze
Written by
Spike Jonze
Andrew Garfield
Sheldon
Sienna Guillory
Anne
Lyle Kanouse
Robot Neighbour
N
Nancy Munoz
Lady at Bus Stop
Annie Hardy
Annie
Daniel London
Jack
Michael Berry Jr.
Adam
Court is in session
Put I'm Here on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Popcorn Loyalist
“The strings are showing.”
Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.