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Mother and Child

Mother and Child

Drama · Romance · 2009

The lives of three women have a commonality: adoption. Karen is a physical therapist who regrets that, as a teenager, she gave up her daughter for adoption. Elizabeth was an adopted child and is now a successful lawyer, but her personal life lacks warmth. Lucy and her husband have failed to conceive and now hope to adopt a baby to make their family complete.

Movie details

Mother and Child

2009 Drama · Romance 2h 5m

Critical arithmetic

One number, for now.

TMDB

6.6 / 10

Community rating

The lives of three women have a commonality: adoption. Karen is a physical therapist who regrets that, as a teenager, she gave up her daughter for adoption. Elizabeth was an adopted child and is now a successful lawyer, but her personal life lacks warmth. Lucy and her husband have failed to conceive and now hope to adopt a baby to make their family complete.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Mother and Child?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Rodrigo García

Written by

Rodrigo García

Naomi Watts

Naomi Watts

Elizabeth

Annette Bening

Annette Bening

Karen

Kerry Washington

Kerry Washington

Lucy

Jimmy Smits

Jimmy Smits

Paco

Samuel L. Jackson

Samuel L. Jackson

Paul

S. Epatha Merkerson

S. Epatha Merkerson

Ada

Cherry Jones

Cherry Jones

Sister Joanne

Court is in session

Put Mother and Child on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.