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Cinderella

Cinderella

Horror · Thriller · Mystery · 2006

With a renowned plastic surgeon for a mother, Hyun-soo is always surrounded by girls in line for beauty consultations. But her happiness comes to an end as her friends who have received facial surgery from her mother start to commit mysterious suicides by cutting out their faces.

Movie details

Cinderella

“Beauty is only a cut-away.”

2006 Horror · Thriller · Mystery 1h 34m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

With a renowned plastic surgeon for a mother, Hyun-soo is always surrounded by girls in line for beauty consultations. But her happiness comes to an end as her friends who have received facial surgery from her mother start to commit mysterious suicides by cutting out their faces.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Cinderella?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Invisible

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Where it lives

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Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Bong Man-dae

Written by

Son Kwang-soo

Shin Sae-kyeong

Shin Sae-kyeong

Hyeon-su

Do Ji-won

Do Ji-won

Yoon-hee

Yoo Da-in

Yoo Da-in

Su-kyoung

A

Ahn Gyu-ryun

Sung-eon

A

Ahn Ah-yung

Jae-hui

Jeon So-min

Jeon So-min

Hye-won

Cho Seong-ha

Cho Seong-ha

Hyeon-su's Father

Court is in session

Put Cinderella on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.