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Mississippi Masala

Mississippi Masala

Drama · Romance · 1991

Years after her Indian family was forced to flee their Uganda home, twentysomething Mina finds herself co-operating a motel in the faraway land of Mississippi. Her passionate romance with charming Black carpet cleaner Demetrius challenges the prejudices of their conservative families and exposes the rifts between the region's Indian and African-American communities.

Movie details

Mississippi Masala

“Passion. Tradition. Mix it up.”

1991 Drama · Romance 1h 58m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

Years after her Indian family was forced to flee their Uganda home, twentysomething Mina finds herself co-operating a motel in the faraway land of Mississippi. Her passionate romance with charming Black carpet cleaner Demetrius challenges the prejudices of their conservative families and exposes the rifts between the region's Indian and African-American communities.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Mississippi Masala?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Mira Nair

Written by

Sooni Taraporevala

Denzel Washington

Denzel Washington

Demetrius Williams

Sarita Choudhury

Sarita Choudhury

Mina

Roshan Seth

Roshan Seth

Jay

Sharmila Tagore

Sharmila Tagore

Kinnu

Charles S. Dutton

Charles S. Dutton

Tyrone Williams

Joe Seneca

Joe Seneca

Williben Williams

Ranjit Chowdhry

Ranjit Chowdhry

Anil

Court is in session

Put Mississippi Masala on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.