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Newsies

Newsies

Music · Comedy · Drama · 2017

A week in the life of the exploited, child newspaper sellers in turn-of-the-century New York. When their publisher, Joseph Pulitzer, tries to squeeze a little more profit out of their labours, they organize a strike, only to be confronted with the Pulitzer's hard-ball tactics.

Movie details

Newsies

“They delivered the papers, until they made the headlines...”

2017 Music · Comedy · Drama 2h 14m

Critical arithmetic

One number, for now.

TMDB

8.0 / 10

Community rating

A week in the life of the exploited, child newspaper sellers in turn-of-the-century New York. When their publisher, Joseph Pulitzer, tries to squeeze a little more profit out of their labours, they organize a strike, only to be confronted with the Pulitzer's hard-ball tactics.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Newsies?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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tick, tick... BOOM!

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Newsies

Newsies

Drama · 1992

A week in the life of the exploited, child newspaper sellers in turn-of-the-century New York. When their publisher, Joseph Pulitzer, tries to squeeze a little more profit out of their labours, they organize a strike, only to be confronted with the Pulitzer's hard-ball tactics.

Where it lives

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Names above the title

The people responsible.

Directed by

Brett Sullivan

Jeremy Jordan

Jeremy Jordan

Jack Kelly

Kara Lindsay

Kara Lindsay

Katherine

Ben Fankhauser

Ben Fankhauser

Davey

Andrew Keenan-Bolger

Andrew Keenan-Bolger

Crutchie

Steve Blanchard

Steve Blanchard

Joseph Pulitzer

Aisha de Haas

Aisha de Haas

Medda Larkin

Ethan Steiner

Ethan Steiner

Les

Court is in session

Put Newsies on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.