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The Invasion

The Invasion

Horror · Mystery · Science Fiction · 2007

Washington, D.C. psychologist Carol Bennell and her colleague Dr. Ben Driscoll are the only two people on Earth who are aware of an epidemic running rampant through the city. They discover an alien virus aboard a crashed space shuttle that transforms anyone who comes into contact with it into unfeeling drones while they sleep. Carol realizes her son holds the key to stopping the spread of the plague and she races to find him before it is too late.

Movie details

The Invasion

“Do not trust anyone. Do not show emotion. Do not fall asleep.”

2007 Horror · Mystery · Science Fiction 1h 39m

Critical arithmetic

One number, for now.

TMDB

6.0 / 10

Community rating

Washington, D.C. psychologist Carol Bennell and her colleague Dr. Ben Driscoll are the only two people on Earth who are aware of an epidemic running rampant through the city. They discover an alien virus aboard a crashed space shuttle that transforms anyone who comes into contact with it into unfeeling drones while they sleep. Carol realizes her son holds the key to stopping the spread of the plague and she races to find him before it is too late.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Invasion?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Oliver Hirschbiegel

Written by

David Kajganich

Nicole Kidman

Nicole Kidman

Carol Bennell

Daniel Craig

Daniel Craig

Ben Driscoll

Jackson Bond

Jackson Bond

Oliver

Jeremy Northam

Jeremy Northam

Tucker Kaufman

Jeffrey Wright

Jeffrey Wright

Dr. Stephen Galeano

Veronica Cartwright

Veronica Cartwright

Wendy Lenk

Josef Sommer

Josef Sommer

Dr. Henryk Belicec

Court is in session

Put The Invasion on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.