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The Witch: Part 1. The Subversion

The Witch: Part 1. The Subversion

Action · Drama · Science Fiction · 2018

Ja-yoon is a high school student who struggles with memory loss after she endured some unknown trauma during her childhood. While trying to uncover the truth, she is unwittingly dragged into a world of crime and finds herself on a journey that will awaken many secrets hidden deep within.

Movie details

The Witch: Part 1. The Subversion

“Everything changed after they appeared.”

2018 Action · Drama · Science Fiction 2h 6m

Critical arithmetic

The consensus, allegedly.

IMDb

7.2 / 10

22.2K votes

Rotten Tomatoes

89 %

Tomatometer

TMDB

7.9 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

Ja-yoon is a high school student who struggles with memory loss after she endured some unknown trauma during her childhood. While trying to uncover the truth, she is unwittingly dragged into a world of crime and finds herself on a journey that will awaken many secrets hidden deep within.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Witch: Part 1. The Subversion?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Action · 2011

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Where it lives

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Names above the title

The people responsible.

Directed by

Park Hoon-jung

Written by

Park Hoon-jung

Kim Da-mi

Kim Da-mi

Ja-yoon

Cho Min-soo

Cho Min-soo

Dr. Baek

Park Hee-soon

Park Hee-soon

Choi

Choi Woo-shik

Choi Woo-shik

Nobleman

Go Min-si

Go Min-si

Myung-hee

Choi Jung-woo

Choi Jung-woo

Mr. Koo

Oh Mi-hee

Oh Mi-hee

Mrs. Koo

Court is in session

Put The Witch: Part 1. The Subversion on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.