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Rampant

Rampant

Action · Horror · Drama · 2018

Ancient Korea, 17th century. While the paranoid King Lee Jo of Joseon, vassal of the Qing dynasty, feels surrounded by conspirators and rebels, a dark evil emerges from the bowels of a merchant ship and the exiled Prince Lee Cheung returns to the royal court, ignoring that he will have to lead the few capable of defeating the ambitious humans and the bloody monsters who threaten to destroy the kingdom.

Movie details

Rampant

“A darkness looms over the kingdom.”

2018 Action · Horror · Drama 2h 2m

Critical arithmetic

One number, for now.

TMDB

6.8 / 10

Community rating

Ancient Korea, 17th century. While the paranoid King Lee Jo of Joseon, vassal of the Qing dynasty, feels surrounded by conspirators and rebels, a dark evil emerges from the bowels of a merchant ship and the exiled Prince Lee Cheung returns to the royal court, ignoring that he will have to lead the few capable of defeating the ambitious humans and the bloody monsters who threaten to destroy the kingdom.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Rampant?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Kim Sung-hoon

Written by

Hwang Jo-yoon · Won Shin-yun

Hyun Bin

Hyun Bin

Prince Lee Cheong

Jang Dong-gun

Jang Dong-gun

Kim Ja-joon

Jo Woo-jin

Jo Woo-jin

Park Eul-ryong

Jeong Man-sik

Jeong Man-sik

Hak-soo

Lee Sun-bin

Lee Sun-bin

Deok-hee

Kim Eui-sung

Kim Eui-sung

King Lee Jo

Kim Tae-woo

Kim Tae-woo

Crown Prince Lee Yeong

Court is in session

Put Rampant on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.