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The Wolfman

The Wolfman

Horror · 2010

Lawrence Talbot, an American man on a visit to Victorian London to make amends with his estranged father, gets bitten by a werewolf and, after a moonlight transformation, leaves him with a savage hunger for flesh.

Movie details

The Wolfman

“When the moon is full, the legend comes to life.”

2010 Horror 1h 43m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

Lawrence Talbot, an American man on a visit to Victorian London to make amends with his estranged father, gets bitten by a werewolf and, after a moonlight transformation, leaves him with a savage hunger for flesh.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Wolfman?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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A Return to Salem's Lot

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Anthropologist Joe Weber takes his son on a trip to the New England town of Salem's Lot, unaware of its vampire population. When the inhabitants reveal their secret, they seek Weber to write a bible for them.

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Ginger Snaps Back: The Beginning

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Set in 19th Century Canada, Brigitte and her sister Ginger take refuge in a Traders' Fort which later becomes under siege by some savage werewolves. But when one of the girls is bitten, they have no one to turn to but themselves.

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Names above the title

The people responsible.

Directed by

Joe Johnston

Written by

David Self · Andrew Kevin Walker

Benicio del Toro

Benicio del Toro

Lawrence Talbot

Anthony Hopkins

Anthony Hopkins

Sir John Talbot

Emily Blunt

Emily Blunt

Gwen Conliffe

Hugo Weaving

Hugo Weaving

Inspector Francis Abberline

Geraldine Chaplin

Geraldine Chaplin

Maleva

Art Malik

Art Malik

Singh

Antony Sher

Antony Sher

Dr. Hoenneger

Court is in session

Put The Wolfman on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.