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A Child Is Waiting

A Child Is Waiting

Drama · 1963

Dr. Matthew Clark is the head of a state institution for intellectually disabled children. Jean Hansen, a former music teacher anxious to give her life some meaning, joins the staff of the hospital. Jean, who tries to shelter the children with her love, suspiciously regards Dr. Clark's stern training methods. She becomes emotionally involved with 12-year-old Reuben Widdicombe, who has been abandoned by his divorced parents.

Movie details

A Child Is Waiting

“Burt Lancaster & Judy Garland take an untouched theme - and make it touching and unforgettable!”

1963 Drama 1h 42m

Critical arithmetic

One number, for now.

TMDB

6.8 / 10

Community rating

Dr. Matthew Clark is the head of a state institution for intellectually disabled children. Jean Hansen, a former music teacher anxious to give her life some meaning, joins the staff of the hospital. Jean, who tries to shelter the children with her love, suspiciously regards Dr. Clark's stern training methods. She becomes emotionally involved with 12-year-old Reuben Widdicombe, who has been abandoned by his divorced parents.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over A Child Is Waiting?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

John Cassavetes

Written by

Abby Mann

Burt Lancaster

Burt Lancaster

Dr. Matthew Clark

Judy Garland

Judy Garland

Jean Hansen

Gena Rowlands

Gena Rowlands

Sophie Widdicombe

Steven Hill

Steven Hill

Ted Widdicombe

Paul Stewart

Paul Stewart

Goodman

Gloria McGehee

Gloria McGehee

Mattie

Lawrence Tierney

Lawrence Tierney

Douglas Benham

Court is in session

Put A Child Is Waiting on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.