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Diabolic

Diabolic

Horror · 2025

A woman's hope for a miracle cure turns into a nightmare when she confronts the vengeful spirit of a cursed witch, determined to claim her as a vessel for her evil power.

Movie details

Diabolic

“God forgives... evil doesn't.”

2025 Horror 1h 35m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

A woman's hope for a miracle cure turns into a nightmare when she confronts the vengeful spirit of a cursed witch, determined to claim her as a vessel for her evil power.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Diabolic?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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After a landsman in 18th century England discovers a corpse covered in fur buried in a field, the town becomes infected by "the devil's skin," leading the local children to engage in demonic rituals and criminal behavior.

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In 1967 Los Angeles, a widowed mother and her two daughters add a new stunt to bolster their séance scam business and unwittingly invite authentic evil into their home. When the youngest daughter is overtaken by the merciless spirit, this small family confronts unthinkable fears to save her and send her possessor back to the other side.

Dolly

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Young Macy is abducted by a deranged, monstrous figure who wants to raise her as its child.

Where it lives

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Names above the title

The people responsible.

Directed by

Daniel J. Phillips

Written by

Daniel J. Phillips · Mike Harding · Ticia Madsen

Elizabeth Cullen

Elizabeth Cullen

Elise

John Harlan Kim

John Harlan Kim

Adam

Mia Challis

Mia Challis

Gwen

Genevieve Mooy

Genevieve Mooy

Alma

Robin Goldsworthy

Robin Goldsworthy

Hyrum

Court is in session

Put Diabolic on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Sentimental Softie

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.