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Ouija: Origin of Evil

Ouija: Origin of Evil

Horror · 2016

In 1967 Los Angeles, a widowed mother and her two daughters add a new stunt to bolster their séance scam business and unwittingly invite authentic evil into their home. When the youngest daughter is overtaken by the merciless spirit, this small family confronts unthinkable fears to save her and send her possessor back to the other side.

Movie details

Ouija: Origin of Evil

“When you talk to the other side, you never know who will be listening.”

2016 Horror 1h 39m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

In 1967 Los Angeles, a widowed mother and her two daughters add a new stunt to bolster their séance scam business and unwittingly invite authentic evil into their home. When the youngest daughter is overtaken by the merciless spirit, this small family confronts unthinkable fears to save her and send her possessor back to the other side.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Ouija: Origin of Evil?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Boogeyman

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The Conjuring 2

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Names above the title

The people responsible.

Directed by

Mike Flanagan

Written by

Mike Flanagan · Jeff Howard

Parker Mack

Parker Mack

Mikey

Annalise Basso

Annalise Basso

Paulina Zander

Elizabeth Reaser

Elizabeth Reaser

Alice Zander

Lulu Wilson

Lulu Wilson

Doris Zander

Henry Thomas

Henry Thomas

Father Tom

H

Halle Charlton

Ellie

Alexis G. Zall

Alexis G. Zall

Betty

Court is in session

Put Ouija: Origin of Evil on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.