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Mesrine: Public Enemy #1

Mesrine: Public Enemy #1

Action · Thriller · Crime · 2008

After nearly two decades of legendary criminal feats, making him France's most notorious criminal while simultaneously feeding his desire for media attention and public adoration, Mesrine becomes increasingly paranoid and isolated, leading to a dramatic confrontation with the law that ultimately seals his fate as the nation's most infamous public enemy.

Movie details

Mesrine: Public Enemy #1

2008 Action · Thriller · Crime 2h 13m

Critical arithmetic

One number, for now.

TMDB

7.3 / 10

Community rating

After nearly two decades of legendary criminal feats, making him France's most notorious criminal while simultaneously feeding his desire for media attention and public adoration, Mesrine becomes increasingly paranoid and isolated, leading to a dramatic confrontation with the law that ultimately seals his fate as the nation's most infamous public enemy.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Mesrine: Public Enemy #1?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Jean-François Richet

Written by

Abdel Raouf Dafri

Vincent Cassel

Vincent Cassel

Jacques Mesrine

Ludivine Sagnier

Ludivine Sagnier

Sylvie Jeanjacquot

Mathieu Amalric

Mathieu Amalric

François Besse

Gérard Lanvin

Gérard Lanvin

Charly Bauer

Samuel Le Bihan

Samuel Le Bihan

Michel Ardouin

Olivier Gourmet

Olivier Gourmet

Commissioner Broussard

Georges Wilson

Georges Wilson

Henri Lelièvre

Court is in session

Put Mesrine: Public Enemy #1 on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Big-Idea Head

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.