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Off Limits

Off Limits

Crime · Drama · Thriller · 2010

During a patrol, Julie and Simon, two police constables, injure a wealthy man who pointlessly killed their partner. This wealthy man in question turns out to be the son of a politician. This is why the two police constables are accused of brutality by the brass. Abandoned by their superiors, the two leading characters will lead an investigation on the drug that caused the politician's son to be out of his mind.

Movie details

Off Limits

2010 Crime · Drama · Thriller 1h 45m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

During a patrol, Julie and Simon, two police constables, injure a wealthy man who pointlessly killed their partner. This wealthy man in question turns out to be the son of a politician. This is why the two police constables are accused of brutality by the brass. Abandoned by their superiors, the two leading characters will lead an investigation on the drug that caused the politician's son to be out of his mind.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Off Limits?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Nicolas Boukhrief

Written by

Nicolas Boukhrief · Dan Sasson

Cécile de France

Cécile de France

Julie

Fred Testot

Fred Testot

Simon

Julien Boisselier

Julien Boisselier

Marc

Nicolas Marié

Nicolas Marié

Le commissaire principal

Stéphan Wojtowicz

Stéphan Wojtowicz

Gilbert

Nanou Garcia

Nanou Garcia

Sandrine

Stéphane Jobert

Stéphane Jobert

Roland

Court is in session

Put Off Limits on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.