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Return of the Living Dead Part II

Return of the Living Dead Part II

Horror · Comedy · 1988

A group of kids discover one of the drums containing a rotting corpse and release the 2-4-5 Trioxin gas into the air, causing the dead to once again rise from the grave and seek out brains.

Movie details

Return of the Living Dead Part II

“Just when you thought it was safe to be dead.”

1988 Horror · Comedy 1h 29m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

A group of kids discover one of the drums containing a rotting corpse and release the 2-4-5 Trioxin gas into the air, causing the dead to once again rise from the grave and seek out brains.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Return of the Living Dead Part II?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Freaks of Nature

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Resident Evil: Extinction

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Extinction

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And suddenly, overnight, the world came to a halt. Two men, two survivors, one kid, and hatred that separates them. A place forgotten by everyone, including the creatures that inhabit the Earth... until now.

Where it lives

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Names above the title

The people responsible.

Directed by

Ken Wiederhorn

Written by

Ken Wiederhorn

Michael Kenworthy

Michael Kenworthy

Jesse Wilson

T

Thor Van Lingen

Billy Crowley

J

Jason Hogan

Johnny

James Karen

James Karen

Ed

Thom Mathews

Thom Mathews

Joey

Suzanne Snyder

Suzanne Snyder

Brenda

M

Marsha Dietlein

Lucy Wilson

Court is in session

Put Return of the Living Dead Part II on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.