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The Fan

The Fan

Drama · Horror · Thriller · 1981

A record store clerk is an obsessed fan of an actress of stage and screen. However, when faced with rejection, the fan strikes out in increasingly violent ways.

Movie details

The Fan

“The final act is murder.”

1981 Drama · Horror · Thriller 1h 35m

Critical arithmetic

One number, for now.

TMDB

5.8 / 10

Community rating

A record store clerk is an obsessed fan of an actress of stage and screen. However, when faced with rejection, the fan strikes out in increasingly violent ways.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Fan?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Dressed to Kill

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Dear Mr. Gacy

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A chronicle of the interaction between college student Jason Moss and the object of his obsession, serial killer John Wayne Gacy.

Where it lives

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Names above the title

The people responsible.

Directed by

Ed Bianchi

Written by

Priscilla Chapman · John Hartwell

Lauren Bacall

Lauren Bacall

Sally Ross

James Garner

James Garner

Jake Berman

Maureen Stapleton

Maureen Stapleton

Belle Goldman

Héctor Elizondo

Héctor Elizondo

Police Inspector Raphael Andrews

Michael Biehn

Michael Biehn

Douglas Breen

Anna Maria Horsford

Anna Maria Horsford

Emily Stolz

K

Kurt Johnson

David Branum

Court is in session

Put The Fan on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.