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The Offering

The Offering

Horror · 2022

In the wake of a young Jewish girl’s disappearance, the son of a Hasidic funeral director returns home with his pregnant wife in hopes of reconciling with his father. Little do they know that directly beneath them in the family morgue, an ancient evil with sinister plans for the unborn child lurks inside a mysterious corpse.

Movie details

The Offering

“No soul is safe.”

2022 Horror 1h 33m

Critical arithmetic

One number, for now.

TMDB

6.0 / 10

Community rating

In the wake of a young Jewish girl’s disappearance, the son of a Hasidic funeral director returns home with his pregnant wife in hopes of reconciling with his father. Little do they know that directly beneath them in the family morgue, an ancient evil with sinister plans for the unborn child lurks inside a mysterious corpse.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Offering?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Two teenage couples traveling across the backwoods of Texas searching for urban legends of serial killers end up as prisoners of a bizarre and sadistic backwater family of serial killers.

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Eight year old Peter is plagued by a mysterious, constant tapping from inside his bedroom wall—one that his parents insist is all in his imagination. As Peter's fear intensifies, he believes that his parents could be hiding a terrible, dangerous secret and questions their trustworthiness.

Diabolic

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The Vigil

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A man providing overnight watch to a deceased member of his former Orthodox Jewish community finds himself opposite a malevolent entity.

Where it lives

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Names above the title

The people responsible.

Directed by

Oliver Park

Written by

Hank Hoffman · Jonathan Yunger

Nick Blood

Nick Blood

Art

Emm Wiseman

Emm Wiseman

Claire

Paul Kaye

Paul Kaye

Heimish

Allan Corduner

Allan Corduner

Saul

Daniel Ben Zenou

Daniel Ben Zenou

Chayim

S

Sofia Weldon

Sarah Scheindal

Anton Trendafilov

Anton Trendafilov

Yosille

Court is in session

Put The Offering on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.